Today's the last day of the big sale. When I wake up tomorrow, I'm setting all the prices back to normal.
Hope everyone had a good year and here's to an even better 2013.
MOP-HEAD
1 hour ago
Near the southern verge of the Yoros Forest, rests a series of grass-covered barrows arranged in a horseshoe shape. Ten smaller barrows and one known as the Great Mound sit facing inward at each other. The site is known as the Witch Mounds by the locals, and it is shunned, for evil lurks within, a place of old Maerling evil best left alone.
Will you brave the Haug-eldr, the greenish flame seen in the depths of night around The Witch Mounds to explore the dangers and riches that surely lie below?
Here's the thing--as a player, I want my character to kick some ass, be awesome, and have a tale to tell back at the tavern so he can get some action with the serving wenches. You know, Conan, or Fafhrd and the Grey Mouser style. That to me is the motivation to play an adventurer.
Rooms with stuff that on its surface looks interesting, but in the end is just a needless distraction that doesn't lead to anything cool. Ever. Not even once in a while. There was one room with ghosts around a table. They gave no clues to greater mysteries, they provided no combat opportunities, they were nothing but a waste of time
There was a room with half dozen balloons. No one is stupid enough to go into such a room, so we shot them from outside. One exploded and caused the others to explode. Would have done damage had we been in there. Again, who would be stupid enough to be in there?2. Provide the opportunity for players to utilize traps against enemies. I don't know if this room could be used in such a manner, but I think the room would be improved were players able to use the trap against lured enemies in some manner.
There was another room where nothing aged. Why? Who placed it there? Why place such a massive investment of magical energy (time stop being a 9th level spell) into a room with not a goddamned thing in it worth anything? At the end I just wanted to smash everything in the room out of frustration.3. Another example of contextlessness providing frustration. Perhaps the Dwimmermount notes provide an explanation of the room to the GM, and if it does, providing a way for the *players* to find out the reason would be beneficial. If possible, finding a way for the players to find out that provides a material reward of some sort (treasure, intel) would be even better.
Then, random rooms with stuff in it for no reason. In one room, in a corner, is a bag with 1000 gp. Why? Empty otherwise, except for the orcs we drove off. Orcs, with 1000 gp. Exactly 1000 gp. It's a very exact dungeon. Another room had debris in it. After killing the rats in it, we spent 30 minutes looking thru rat shit and found 2000 cp. Why? Oh, and there was also some other crap like a pin and a comb worth some money.4. This touches on one of my design preferences: generally avoid round numbers. Round numbers do not feel organic and the organic feeling is very important during play, IMO. This should be an easy fix and one that, IMO, would benefit even players who prefer the Megadungeon style of play already.
Where's the grand tale of adventure in that? Would it make a good movie? Would you pay eight bucks to see it on the big screen? Did we do anything awesome? Did we encounter weird ass shit and survive by the skin of our teeth, using our wits and courage to overcome the obstacles? Was there at any point an opportunity or a need to be creative with the stuff in the environment to further our ends? Was the environment itself creative and mysterious, leaving us a with a sense of awe and wonder? Did it make us want to explore further? Did it open up further layers of a mystery?This highlights where the different play desires don't mesh. Joethelawyer is thinking of the game in terms of a movie. IMO, the Megadungeon environment is not a movie - (at most) megadungeons are thematic tapestries in which various areas can explore different themes and these themes are usually not explored until deeper in the dungeon. Movies are narrative pieces with a purpose - Megadungeons don't have a purpose - they have many different purposes.
In 1787, right before the beginning of the Russo-Turkish War of 1787-1892, Antonio Salieri visited Bucharest. During his visit he composed the opera L'esaltato (The Exalted) celebrating the proud spirit of the Russians and Austrians. For the only time in his career, Salieri also wrote the libretto while residing in his hotel in Bucharest. Returning to Vienna a few months later, he put the finishing touches on L'esaltato and it was performed to moderate success. During WWII, the original hand-written copy of the libretto was “liberated” by the Soviets to Bucharest and it has remained there ever since.
The original copy of the Libretto has recently been stolen and the Austrians are very interested in returning the work of Salieri to the city that was his home, Vienna.
ORBIS allows us to express Roman communication costs in terms of both time and expense. By simulating movement along the principal routes of the Roman road network, the main navigable rivers, and hundreds of sea routes in the Mediterranean, Black Sea and coastal Atlantic, this interactive model reconstructs the duration and financial cost of travel in antiquity. Taking account of seasonal variation and accommodating a wide range of modes and means of transport, ORBIS reveals the true shape of the Roman world and provides a unique resource for our understanding of premodern history.If that doesn't get your History Nerd (tm) blood a'flowing, you've secretly been replaced by a zombie.
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